Profiles in Leadership are conversations about cultural influence, aesthetic visions and seizing opportunities. Recently, Sixto Wagan, director of the Center for Arts Leadership at the University of Houston, visited with Selven O’Keef Jarmon, a Houston-based fashion designer/visual artist.
I've written more Nutcracker stories than should be allowed. Dance writers should have a quota. For a while, disaster stories were all the rage. Tales of a remote control rat going rogue on stage can seriously stir up holiday bluster.
As Dallas Contemporary turns 35, Charissa Terranova surveys the venerable yet agile art space's history, while Dan R. Goddard looks at how San Antonio's art scene is spreading beyond the gentrifying Blue Star Arts Complex.
When the first Houston Jewish Book Fair was presented to the public four decades ago, it may have been difficult to imagine how large this event would eventually become.
How many dance devotées first became entranced with ballet as children, watching a swirl of human snowflakes float across the stage? How many regional theater season subscription holders had their first taste of an onstage happy ending when a gleeful Ebenezer Scrooge saves the Cratchit family through the magic of a giant turkey for Tiny Tim?
According to the proverbial mission statement, the function of a given city’s contemporary art space is to exhibit the work of young, emerging artists from the area, and to proffer artistic experimentation therein. Let us consider this to be the face of things.
By now, downtown denizens may have noticed that the Clock Tower at Market Square looks and sounds completely different. Jo Ann Fleischhauer has transformed the historic landmark, known as the Louis and Annie Friedman Clock Tower
Invariant Interval is a mesmerizing new installation at UT’s Visual Arts Center (VAC) that challenges viewers to observe three-dimensional art in a relativistic context that includes the invisible but ever-present dimension of time.