Los Angeles-based conceptual artist Charles Long’s CATALIN and Pet Sounds are the two newest sculptural installations on view at the Contemporary Austin’s two venues, the Jones Center and Laguna Gloria.
If SXSW were to showcase a classical pianist, it would have to be Jade Simmons, and it is, as she has been invited to play at the storied festival, which takes over Austin, March 7-16th.
It’s not quite right to use the term “hidden gem” to describe the Tobin Theatre Arts Collection, housed in gallery space at San Antonio’s McNay Art Museum—mostly because the collection is far from hidden.
The ZACH Theatre's production of Sarah Ruhl's In The Next Room or the vibrator play is an exquisitely designed and cleanly executed investigation into sexuality in the dawn of automation.
Robert Indiana’s totemic sculptures and hard edge paintings filled with enigmatic numbers and text were lionized by New York art critics in the early 1960s, who listed him with Andy Warhol, Roy Lichtenstein, and James Rosenquist as one of young Turks taking on the rule of abstract expressionism.
A magic lantern, a flying carpet, an evil monster, love at first sight and a blend of trickery and triumph sounds like all the right ingredients for a juicy story ballet.
The Annual Houston Jewish Film Festival, March 8-23, celebrates its 10th anniversary with 28 of the best Jewish or Israeli films from around the world.
Austin has always taken pride in calling itself the “Live Music Capital of the World,” and it will have yet another chance to showcase itself in such a role this month at the Menuhin Competition.
Justin Locklear is currently appearing in Mike Bartlett's COCK at Second Thought Theatre in Dallas through Feb. 22. A graduate of Baylor University with a BFA in Theater Performance, Locklear's recent regional credits include Dreams of Slaughtered Sheep and Best Seat In Town with the Ochre House Theater, and T.N.B. With the Dead White Zombies.