Six months after Agustín Arteaga joined the Dallas Museum of Art as its new director, visitors to the DMA will benefit from one of his last initiatives at his previous post running the Museo Nacional de Arte in Mexico City. ...
Late modern and contemporary Cuban art has gotten increased international exposure in recent years thanks to improved relations between the United States and Cuba, laying the groundwork for the Museum of Fine Arts, Houston’s unprecedented exhibition Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950. ...
Before joining San Antonio’s McNay Art Museum as its third director in September, Rich Aste was finishing work on the exhibition French Moderns: Monet to Matisse, 1850-1950, which turned out to be his swansong as the Brooklyn Museum's managing curator, arts of the Americas and Europe, and curator of European art. French Moderns travels to the McNay from March 1 to June 7. Devon Britt-Darby sat down with Aste to discuss his plans for Texas's oldest modern art museum....
Given the centrality of immigration to the 2016 election and Texas’s status as a red state with an ascendant Latino population, this summer’s announcement that the Dallas Museum of Art had hired Agustín Arteaga, a museum director in Mexico City, and that he would be moving, with his husband, to the Lone Star State to run the Dallas Museum of Art, was bound to turn heads....
Six paintings by as many artists comprise Abstract Texas: Midcentury Modern Painting, which remains on view through Oct. 7, 2017 at the Amon Carter Museum of American Art. ...
The ghost of 19th-century French Neoclassical artist Jean-Auguste-Dominique Ingres casts a long shadow over the Museum District these days, with both his greatest heirs basking in surveys curated by world-renowned experts. ...
Monet: The Early Years at the Kimbell Art Museum kicks off with a startling contrast between Claude Monet’s earliest exhibited work—View Near Rouelles, a crisp, placid, highly finished 1858 landscape—and Farmyard in Normandy (1863), which is striking for what exhibition curator George T. M. Shackelford notes is “a surface that, in its final form, appears to be still in progress.”...
Degas: A New Vision will end its only U.S. presentation at the Museum of Fine Arts, Houston on Jan. 16, meaning its departure will roughly coincide with the fifth anniversary of director Gary Tinterow’s arrival from New York’s Metropolitan Museum of Art, where he spent the bulk of an impressive curatorial career. ...
On the Road, Texas Museums Loom Large in the Rear-View Mirror
Paul Signac (French, 1863–1935), Opus 217. Against the Enamel of a Background Rhythmic with Be...
Shortly after the late Jesús Rafael Soto's posthumously realized Houston Penetrable went on view in the Museum of Fine Arts, Houston's Cullinan Hall, I wrote th...
