Alecia Lawyer, the River Oaks Chamber Orchestra’s artistic director, introduced the idea discreetly last fall: She and two other musicians devoted a program on the group’s Unchambered series entirely to works by female composers....
When the Fort Worth Opera Festival unveiled its plans for this year’s edition, the repertoire included a milestone: the company’s first staging of Das Rheingold, the opening of Richard Wagner’s four-part The Ring of the Nibelung. ...
When the Rolston String Quartet first flashed onto Chamber Music Houston’s radar screen, the young ensemble was quartet-in-residence at Rice University’s Shepherd School of Music....
The Ivy Leaguer tore up his career plan. For his first two years at Princeton University, Aryeh Nussbaum Cohen had majored in public policy, figuring he’d go to law school and work in public affairs. Then a summer project stirred his love for singing, which went all the way back to his childhood....
The first time Yekwon Sunwoo vied in the Van Cliburn International Piano Competition, the judges eliminated him after the opening round. Looking back, the South Korea native made no excuses. “I just wasn’t ready,” he recalled....
Da Camera has flourished because of the entrepreneurial spirit and open-mindedness of its hometown of Houston, as general director Sarah Rothenberg will readily tell you....
The conductor nearly chickened out. Planning the concert that will open the River Oaks Chamber Orchestra’s 2017-18 season, Vladimir Yampolsky suggested a rarity: the Symphony No. 2 by Kurt Weill of Threepenny Opera fame. Then he wavered....
