By this time of year, I'm in the mood for a little “mayhem ensues,” so of course, I'm delighted to see that Classical Theatre has selected Oscar Wilde's wordplay feast, The Importance of Being Earnest, to close their season, April 9-27 at The Barn.
The success of any production of Ain’t Misbehavin’, the 1978 Tony-winning musical revue, rests solely on the talents of the five singers who comprise the entire cast.
Black Lab Theatre's Jordan Jaffe is at it again, producing plays that millennials can identify with, in the hope that they will be lured back into the theater.
“I make a living off the suffering of strangers!” cries photographer Sarah Goodwin, the compelling protagonist in Donald Margulies’ Time Stands Still,running at Main Street Theater
HGOco turns seven years old this year. A scrappy, energetic initiative dedicated to making an opera company relevant to the city it serves, it has taken opera out of the Big House downtown and planted it in unexpected places all over the city:
Kaitlin Hopkins is head of the Musical Theatre program at Texas State University, where her over 25 years of work on and off Broadway, and in regional theater, film, television, opera, and radio inform her work with Texas State's aspiring young actors.
If the play is titled Less Than Kind, it sets itself up for easy aim if the production doesn’t live up to theatrical standards. Luckily, the U.S. premiere of Sir Terence Rattigan’s smart comedy has no fears of embarrassment as produced at Theatre Three in Dallas.
It’s not every day that a Dallas theater produces a show bound (hopefully) for Broadway, although the Dallas Theater Center is ensuring it becomes increasingly more likely.