On Houston dance stages, this season has been a virtual feast of American dance thanks to Society for the Performing Arts’ focus on great American Dance Companies.
Dance Source Houston has assumed management of the Barnevelder Movement/Arts Complex. Formerly managed by Suchu Inc, Barnevelder provides space for rehearsals and dance classes for dance companies [...]
There’s a happily revolving door at Jacob’s Pillow every summer, as dancers and dance companies come and go and audiences have the chance to sample from hundreds of performances. The dance festival in Western [...]
Rebecca Manson transforms clay into charged flora in her immersive installation, Barbecue, at the Modern Art Museum of Fort Worth from May 25 through Aug. 25.
El Paso-based artist Haydee Alonso was working as a manager in a gallery during March of 2020 when the COVID-19 pandemic forced the space to close for an undetermined amount of time.
When I visited artist Delita Martin at her Black Box Press Studio this past December, it became clear over the course of our conversation that her bold, multi-layered prints of “everyday” working-class black women emerge through a strikingly similar kind of spiritual traversal.
Since we (Nancy Wozny & Tarra Gaines) have an ongoing conversation on what defines an immersive performance, we decided to share some of our adventures and to make some of our endless road trip banter public.
When Jeffrey Schmidt began planning his first season as artistic director of Theatre Three, he considered opening with Andorra, Max Frisch’s highly charged political play about collective bigotry.
In the months following our two comedy improvisation classes with Beta Theater last year, our teacher, actor Jerry Emeka remarked candidly, “I could not for the life of me figure out what your collective ‘deal’ was.”