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Clay into Flora: Rebecca Manson at The Modern

Listen, Touch and Learn: Marie Watt at the Blanton

Soy de Tejas: Traveling exhibition unites the Lone Star State in Fort Worth with Latinx art
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Consumed by Love: Houston Grand Opera’s New Season of Romance and Passion

Love, Power and Gold: Dallas Symphony Orchestra Performs Wagner’s Epic Ring Cycle

Houston Symphony Expands for the Strauss Festival
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Unique and Determined: ISHIDA Dance brings ‘Mutability’ to the Asia Society and The Long Center

Canyon Dancing: Open Dance Project’s Annie Arnoult takes us inside a Georgia O’Keeffe painting

The Collaborative Spirit: Houston Ballet Offers a Lively Season Ahead
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A Lifelong Exploration: Director Sasha Maya Ada navigates a new path for DFW theater

In Good Company: Alley Theatre’s New Season offers plays for Houston Audiences and the resident actors

Houston’s Rec Room Arts Wants to Bring Us Together
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Building a Global Network: The Fusebox Universe at 20

Houston Cinema Arts Festival Focuses on Texas, the Arts and Home

Radical Visions Play Out at Houston Cinema Arts Festival 2022
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Reading Together Again: Inprint Houston’s New Season Dazzles with Big Name Writers

A Meeting to Remember: Aaron Landsman and Mallory Catlett’s new book on ‘City Council Meeting’

Society for the Performing Arts Goes Digital
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Brad Hennigan

Rules Don’t Apply

Lindsey Wilson·November 1, 2014

The modern theater-going experience is rather predictable, is it not?

Dallas/Ft Worth Theater

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