There’s an old adage about how those who don’t remember history are doomed to repeat it, but histories are constructed through the perspective of those in power.
When British-born artist Cecily Brown landed in the New York art scene in the mid-1990s, conventional painting had taken a backseat to other less conventional practices of creating art.
Cowboy culture might be having a resurgence, but the image of the cowboy, the horse-ridding, 10 gallon hat-wearing spirit of rugged independence never leaves the zeitgeist for very long. Cowboy, at the Carter, sets out on its own western journey to explore the myriad of faces of the contemporary cowboy, yet it also asks if our new cowboy diversity is really all that different from the cowboys of the last two centuries.
Pollution is a constant presence in places like Houston, one that sinks into the background of our everyday lives becoming all too tolerable until we receive severe reminders of the impact.
Charles L. Davis II, an associate professor of architectural history and criticism at UT Austin's School of Architecture, researches the relationship between race and place.
There is no shortage of artistic talent in Texas, but each year is another chance for the Vignette Art Fair in Dallas to remind us once again of how skilled and creative the women of the Lone Star State truly are.
MOON MOTH BED (2023), is not your typical nature documentary. Austin-based artist Virginia L. Montgomery created this video for EYE MOON COCOON, her fall 2023 exhibition at Austin’s Women & Their Work, who invited her to create a large immersive installation that referenced Texas and the Texas ecosystem.