Claire Christine Spera

Eclectic and Equal: W-I-P offers San Antonio movement artists critical feedback

Frustrated by the awkward process of giving and receiving critical artistic feedback, dance/theater legend and MacArthur Fellow Liz Lerman developed her own system in the early 1990s, her Critical Response Process — an approach based on the principle that the best possible outcome from a response session is for the maker to want to get back to work....

Altered Reality: Pilobolus brings Shadowland to Texas

Even if you’re never seen Pilobolus in concert before, you’re probably familiar with the acrobatic dance troupe’s work. After starring in a Ford commercial over a decade ago, in which the dancers’ silhouetted bodies became the car, the commercial opportunities kept coming: a high-flying performance at the 79th annual Academy Awards, appearances on Sesame Street, Oprah, Ellen, The Today Show, Late Night with Conan O’Brien and more....

The Dance of Work: Forklift Danceworks reflects on past projects and looks to the future

Convention is not a part of Allison Orr’s vocabulary. The Forklift Danceworks artistic director has carved out a particular niche in the site-specific performance world of Texas—one that draws attention to the people and systems that keep our communities ticking, often without thanks or notice. This is Orr’s specialty: bringing the invisible to the forefront....

Claire Christine Spera

Claire Christine Spera grew up dancing ballet, modern, and Spanish flamenco. A graduate of the arts journalism program at the University of Southern California Annenberg School for Communication & Journalism, she has been a freelance dance and theater critic for the Austin American-Statesman and other publications since moving to the capital city in fall 2010.