Through the Looking Glass: Kelly O’Connor’s Invitation to Look
A pool opens in the earth, its blue depths broken into small, fitted pieces. Along the rim, pinks...
Visual Art
Millennial Moms are the Newest Movers and Shakers in Dallas Art
If you want something done right, ask a mom. Masters of multitasking, millennial moms aren’t just raising the next generation of art lovers—they’re reshaping the Dallas art scene into a healthy, vibrant, supportive environment.
Gallery Row: A Seasonal Spotlight on Six Texas Galleries
Gallery Row: A Seasonal Spotlight on Six Texas Galleries for November - December 2026
Vessels of Heritage: Centro De Artes explores the transformation of everyday objects, places and ideas in a new exhibition in San Antonio’s Historic Market Square
The therapeutic process of making a piñata from papier-mâché over a balloon and then decorating it with colorful fringed tissue paper and the tension releasing experience of hitting the piñata with a stick at a birthday party as well as the feeling of sheer joy when the piñata bursts open and rains candy all come to mind when looking at Chuck Ramirez’s Piñata: Gregory. Ramirez (1962-2010) was a San Antonio-based artist with a reverence for material culture.
Form on the Verge of Life: Terry Winters at the Menil
A cluster of rounded forms gathers on a sheet of paper.
The Archive at Low Tide: Beverly Buchanan, Dionne Lee, and the Visual Telemetry of Displacement at the CAMH
The gallery operates as a field site before it functions as an exhibition.
Always Artist-Centered: Jamal Cyrus and César A. Martínez Honored by Art League Houston’s Annual Awards Program
Seventy-eight years ago, 16 women artists wanted to create a place where they could make, exhibit, and talk...
The Contemporary Art Dealers of Dallas highlight fresh talent in their new MFA Showcase
The Contemporary Art Dealers of Dallas highlight fresh talent in their new MFA Showcase.
Before the Partition: Yoshitaka Amano’s Unbroken Line at Asia Society Texas Center
I am not swiping through digital images or peering into a paperback book; I am standing—as the first viewer to see Yoshitaka Amano: Big Bang at Asia Society Texas Center fully installed, where it runs through Feb. 7, 2027—in the quiet, pristine light of Yoshio Taniguchi’s architecture, confronted by raw scale, chemical reaction, and the unyielding physical friction of human labor on a gallery wall.
Three Inches from the Past: The tactical, tactile birth of photography at the Kimbell Art Museum in Fort Worth
We were both dealing with the heat when we started talking about it—I managing an overheated kid and a sudden ice-cream run in Texas, George Shackelford locked in a Massachusetts office while a carpenter yelled about framing in the background.
The Grand Calculus of Darkness: Winslow Homer’s Spatial and Conservation Mechanics at the MFAH
Watercolor is an unforgiving, fragile medium.
Witnessing the Cycle: Gabriel Martinez at the Ismaili Center Houston
I step into the Ismaili Center—opened last December on the banks of Buffalo Bayou—and the space announces its intention immediately. The light is controlled. The quiet is profound, engineered so conversation is possible, so presence can be felt.