On Fascination, Form, and Future: David-Jeremiah at HMAAC
Reference to these machines is a common thread across the majority of David-Jeremiah: Early Career Survey, on view at HMAAC through Sept. 10, 2022.
Art
Ambiguous places of beauty and sadness: Nick Vaughan and Jake Margolin’s Wayfinding at the Blaffer
Ten years ago, multidisciplinary artists and life partners Nick Vaughan and Jake Margolin set out to trace a little-known bit of queer U.S history, an 1843 pleasure excursion by100 men from St Louis to the Wind River Range of Wyoming, likely the first example of North American gay eco/party tourism.
Fort Worth Arts Moves Forward
Among the many changes to the inside of the midcentury visual and performing arts center at 1300 Gendy Street in Fort Worth is that management finally tore out the carpet, a final blow to the carpet lobby’s dominance in the Cultural District.
Colette Copeland: My Jesse James Adventure at the Old Jail Art Center and Jody Klotz Fine Art
Driving alone through the middle of the country, spanning nine states and more than 4,000 miles, Dallas-based artist, cultural critic, and social activist Colette Copeland spent three summers visiting the numerous sites where Jesse James lived and outlawed, filming on location throughout her performative journey.
Show Up: Kelli Vance at Cris Worley
The best parts of horror movies are always the early scenes, when a director can revel in the shadows and tease us with glimpses of the monster, allowing our brains to fill in the blanks.
Acts of Resistance: Black Every Day at The Carter
The scene is the summer of 2020. The country is in the middle of the COVID-19 pandemic. Protestors are outraged by the murder of George Floyd and other Black men at the hands of the police.
Cultural Meeting Points: Amoako Boafo at the CAMH
Amoako Boafo: Soul of Black Folks was first exhibited at San Francisco’s moAD and has now traveled to the Contemporary Art Museum Houston, on view May 27 through Oct. 2.
Scaling Up: Landmarks Unveils a New Commission by Sarah Oppenheimer
The project Oppenheimer is referring to, which will be unveiled Sept. 15, is C-010106, commissioned by Landmarks, the public art program of the University of Texas at Austin.
Beyond the Binary: Women Painting Women at The Modern
On view at The Modern Art Museum of Fort Worth May 15 through September 25 is Women Painting Women, a thematic exhibition of forty-six women artists who choose women as subject matter in their works.
Progress Ahead: PrintHouston Returns with Momentum
The pandemic forced PrintHouston to sit out 2021. Now that the virus is largely under control, the city’s biennial celebration of the printmaking art isn’t waiting for another odd-numbered year to roll around.
Texas on Stage at the McNay
The Tobin Collection of Theatre Arts contains artifacts dating back centuries, and its exhibitions sometimes revel in that broad historical panorama. But The Great Stage of Texas, running through July 24 at San Antonio’s McNay Art Museum—the collection’s home—could hardly be more contemporary.
The Pace of Place: Jamal Cyrus at The Modern
Cyrus shares aspects of his spirited path along sonic territories by creating sculptures, denim works, drawings, and sound, all of which are part of his upcoming solo exhibition at The Modern in Fort Worth, on view through June 26 as part of the museum’s ongoing Focus series.