“There are associations that come with the use of a sarape, especially now with recent political and economic border issues,” says Adrian Esparza, referring to the brightly colored, blanket-like shawls from Latin America that inform and compose much of his work as well as the constant issue of the Mexican-American border, in which Texas is often found at the center....
Up-cycled dresses on mannequins, paintings of deconstructed tracksuits, and massive lengths of cloth made with consumer technology fill the upstairs of the Contemporary Arts Museum Houston. ...
The story of Nicolas Moufarrege is a sad one. Lost to the AIDS crisis in New York City at the age of 36, the artist had only been in practice for a decade and undoubtedly had much left to produce. Curated by Dean Daderko and on view at the Contemporary Arts Museum Houston through Feb. 17, 2019, Nicolas Moufarrege: Recognize My Sign is the first solo museum exhibition for Moufarrege....
“It is not an acropolis we want there. It is not Culture on a corner. I think of the new museum building as a stage environment to house the multimedia in which artists of today are working.”...
In February 2007, a group of 13 Dallas galleries came together to form Contemporary Art Dealers of Dallas, or CADD, with the goal of promoting the advancement of contemporary art in the Dallas cultural community. ...
Michael McFadden is a Houston-based writer and arts administrator. He holds an MA in Arts Leadership from the University of Houston's College of the Arts and has worked extensively with the Houston arts community. Learn more about him at pugintheair.com.
