Seriality, color, and time: Matthew Wong at DMA
The Dallas Museum of Art seemed to have known that Matthew Wong was on the cusp of fame before most of the world’s other leading art museums.
Dallas/Ft Worth
Stir Your Heart Toward Change: Bruce Wood Dance Expands Its Reach
The 2022-23 season is a bit of a homecoming for Bruce Wood Dance.
Loud and Clear: Vignette Art Fair amplifies women’s voices
The Vignette Art Fair gives women artists from all over Texas the opportunity to exhibit their work and make their voices known.
The difficult past and hopeful future of Latinx theater in Dallas
In 1980, two years after Teatro Dallas was founded by Cora Cardona and Jeff Hurst, only 9.9% of Dallas’s 904,078 residents ticked the newly added box for “Hispanic.”
A Good Laugh: The Fun Factor on Texas Stages
After a performance season filled with joyful starts, heart-breaking cancellations and casting understudies for the understudies when positive COVID tests rolled in, Texas theater companies have endured much real life drama to make the leap back to live performances.
New and rediscovered voices: Dallas Symphony Orchestra Celebrates Women in Fall Concerts
Almost overnight, orchestral concerts went through a revolution.
All in for Beauty: Charlotte Smith at Camiba Gallery
For more than 20 years Dallas-based artist Charlotte Smith has reveled in experimenting with paint, and occasionally other materials, creating a signature style grounded in process-driven abstraction.
Next Chapter: Artist, Curator, and Educator Benito Huerta Retires
The artist has held roles as Professor and Curator at the University of Texas at Arlington for twenty-five years, and the occasion of our conversation is his retirement.
Avant Chamber Ballet’s 10th season celebrates women and whimsy
Ten years is a huge milestone for an arts organization, and Avant Chamber Ballet is celebrating accordingly.
Between sacred and secular: Murillo at the Kimbell
Spanish Golden Age painter Bartolomé Esteban Murillo might be hailed as the leading religious painter of Seville during his lifetime, which spanned 1617–1682, but he wasn’t initially a favorite of former Louvre curator Guillaume Kientz.
On Fascination, Form, and Future: David-Jeremiah at HMAAC
Reference to these machines is a common thread across the majority of David-Jeremiah: Early Career Survey, on view at HMAAC through Sept. 10, 2022.
Fort Worth Arts Moves Forward
Among the many changes to the inside of the midcentury visual and performing arts center at 1300 Gendy Street in Fort Worth is that management finally tore out the carpet, a final blow to the carpet lobby’s dominance in the Cultural District.