For 75 years, the Contemporary Art Museum Houston (CAMH) has sought to engage its community in a dialogue that stems from its inaugural exhibition: This Is Contemporary Art (1948).
In 2013, at the Dallas Museum of Art, Leigh Arnold curated Robert Smithson in Texas, a first of its kind look at the famous land artist’s finished and unfinished works in the state.
The Greek artist Chryssa was an influential force on the New York art scene from the late 1950s to the early 1970s, but since that time, she has become deeply under-recognized, despite having created innovative work in light sculpture.
Musiqa took a turn underground. In November 2023 the Houston-based new music organization had the opportunity to present the world premiere of a site-specific work by Houston composer Pierre Jalbert in the Buffalo Bayou Park Cistern as part of its popular Underground Sounds series.
“Warning: You’re going to hear me say ‘I’m really excited about this’ a lot.” This is one of the first things Hector Garcia says during our interview about the Elevator Project’s 2024 season, and it’s not an understatement.
Choreographer Laura Gutierrez honors her father’s 48 years of labor in the premiere of In Tarps I Trust, commissioned and presented by DiverseWorks on Feb. 22-24, 2024 at the MATCH in Houston.
“Warning: You’re going to hear me say ‘I’m really excited about this’ a lot.” This is one of the first things Hector Garcia says during our interview about the Elevator Project’s 2024 season, and it’s not an understatement.
Houston’s Theatre Under The Stars also understands the allure of some tacky fun and plans to offer the ultimate holiday show alternative this season with the world premiere, The Ugly Xmas Sweater Musical.
“Warning: You’re going to hear me say ‘I’m really excited about this’ a lot.” This is one of the first things Hector Garcia says during our interview about the Elevator Project’s 2024 season, and it’s not an understatement.
In a time when regional theaters are reeling from post-pandemic shortages, losses, and even devastating closings, one Fort Worth theater seems remarkably immune (knock on wood).
