Somewhere near the end of the first act of Stages’ sweet and nostalgic production of the classic musical The Fantasticks when a happy ending tableau had arrived but an entire second act still remained to follow, I couldn’t stop thinking of that likely-apocryphal story about the cosmologist confronting a turtle infinity....
I sat down with Director Olivia Chacón to discuss Austin’s burgeoning flamenco scene, the growth of the studio and the company’s next theatrical production....
“You can’t fly if you have never left the ground,” says Houston’s 4th Wall Theatre cofounder, Kim Tobin-Lehl, when thinking about taking artistic risks....
Texas is home to a growing cohort of Latinx playwrights working in all parts of the state who have chosen to remain here despite the unique challenges that they face as artists of color in the Lone Star State....
The plays change but the players remain the same: Such is the model of a resident acting company, a group of artists who create theater together as a team....
“She played with a fine fury all evening, and her bow was a rod and a staff for the comfort of Nespoli,” lauded music critic Hubert Roussel, writing for the Houston Gargoyle....
Judy Chicago’s monumental installation, The Dinner Party, debuted March 14, 1979, at the San Francisco Museum of Modern Art, the first stop on a planned nine-year tour of the U.S. and abroad....
