Language is everywhere,” says Christopher Blay, artist, art critic, and newly appointed chief curator at Houston Museum of African American Culture....
In the three years that Sage Studio has showcased artists with disabilities—helping its roster develop and sell their works, much as ordinary galleries do—Austin’s art scene has embraced it, co-founder Lucy Gross says....
Nastassja Swift’s primary mode of artmaking in recent years has been needle felting—a form of textile production that renders wool into saturated, light-absorbing forms. Her dolls, figures, and tapestries of tiny faces are equal parts comforting and unsettling....
“My pathology is your profit,” a banner reads. Hanging from the rafters of the Contemporary Art Museum Houston’s main gallery, the silvery background glimmers as the text picks up the purplish hue of the light....
Texans love Impressionism in all its nationalities and schools, and Texas museums love bringing us Impressionist exhibitions in a myriad of flavors and themes....
Anna Elise Johnson’s Earthworks: West Texas, now on view at Cris Worley Fine Arts in Dallas through August 14, draws heavily from the mythology of the west, especially its deserts....
The story of abstraction can’t be fully told without Sean Scully, according to the Irish-American painter who also sees himself as a renegade in the abstract movement....
