Rebecca Manson transforms clay into charged flora in her immersive installation, Barbecue, at the Modern Art Museum of Fort Worth from May 25 through Aug. 25.
The exhibition title, Surrealism and Us, references the essay “1943: Surrealism and Us” by Suzanne Césaire (1915-1966), a Martinique writer, feminist, and anti-colonialist. Césaire believed that the concepts, aesthetics, and power of Surrealism could encourage self-determination and independence.
Multiplicity: Blackness in Contemporary American Collage, on view Feb. 18 through May 12 at the Museum of Fine Arts, Houston, is the first museum survey of Black collage artists.
Inspired by a gift from her grandson of one painting and four drawings, Janet Sobel’s early but short-lived career is now the subject of a compelling exhibition at the Menil Collection from Feb. 23 through Aug. 11.
Kehinde Wiley and Museum of Fine Arts, Houston Director Gary Tinterow first met in New York when Tinterow, then a curator at the Metropolitan Museum of Art, proposed the acquisition of Wiley’s The Veiled Christ, a large 2008 watercolor.
Leonardo Drew combines hundreds of intricate handmade objects to transform the first-floor gallery at the Amon Carter Museum of American Art in Fort Worth into a multi-dimensional environment.
The Greek artist Chryssa was an influential force on the New York art scene from the late 1950s to the early 1970s, but since that time, she has become deeply under-recognized, despite having created innovative work in light sculpture.
Over the span of six months in 2022, Houston sculptor Susan Budge lost her mother, got married, saw her son graduate from high school, built a kiln in a new studio, and was diagnosed with breast cancer.