Music

In Kinetic’s collaborative model, each of the 16 musicians in the conductorless string ensemble brings his or her creative voice to the table, to the rehearsal space, and to the concert stage.

Nobody expected the Houston Chamber Choir’s season opener to tie in with the news of the world.

The Houston Symphony’s new music director, Juraj Valčuha, acknowledged that opening the season with a requiem may strike some as “a strange idea.” But Giuseppe Verdi’s Requiem is no ordinary setting of the mass for the dead.

When the Apollo Chamber Players made its debut, grand visions of the future had nothing to do with it. The quartet, violinist Matthew Detrick recalls, had one simple goal: “to do that first concert.”

Ars Lyrica is picking up right where it left off. After closing last season with the poignant finish of Henry Purcell’s Dido and Aeneas, Houston’s baroque ensemble will launch its 2022-23 season with another helping of the melancholy, gently dissonant harmony that bears Purcell’s trademark.

In Artistic Director Sarah Rothenberg’s mind, a quintessential DACAMERA season must have a balance of beloved masterpieces performed by great musicians from the classical world, and fantastic jazz of varying styles that reflect the ever-widening genre.