Coming of Broadway age in the shadow of the Hamilton juggernaut, Dear Evan Hansen, the seemingly unassuming musical about an unpopular high school kid with social anxiety, managed to turn its misfit story into a multiple Tony® Award winner....
Aperio opened its 2019-2020 season in September riding the Onda Nueva (New Wave), relishing the characteristic blurring of boundaries that makes music from Latin America so rich and vital....
Anthony Brandt urges his composition students at Rice University to keep an open mind about the musical styles that influence them. “I often say, ‘Don’t put a fence around yourself. Feel the joy of having an open field around you, and discover what you might love that you didn’t know you would,’” he explains....
When Seth Knopp plans out the Soundings new-music series for Dallas’ Nasher Sculpture Center, he likes to leave audiences free to spot resonances and parallels among each season’s concerts....
Ever since she can remember, Emily Levin has loved putting stuff together: Crossword puzzles, planning vacations, hosting murder mystery parties—being an organizer is sort of her thing....
This fall, The Dallas Opera launches its fifth residency of the Linda and Mitch Hart Institute for Women Conductors Oct. 27-Nov. 9—designed to help female opera conductors take their careers to the next level....
The project could hardly have a catchier title: 20x2020. But the Apollo Chamber Players faced the challenge of bringing it off. With only six years to go, could the group choose and commission 20 composers to create works it could premiere by 2020?...
