“I was like a waiter at a wedding,” Michael Golden laughs, recounting the process of creating some seventy new collages to be exhibited at the Galveston Art Center.
In her description of her artist/partner, Megan Harrison says Jimmy James Canales is “kinda like a cat. He brings in a dead bird from the yard, and I’m like ‘I can do something with that.’”
San Antonio’s expansive, one-night-only arts festival is turning 10 this year. In a city that wears its culture on its sleeve, Luminaria is unique, a carefully choreographed explosion of site-specific art events attended by an average of 10,000 patrons.
About a year and a half ago, I spoke to Anthony Sonnenberg for Arts + Culture. He was in the midst of a residency at Houston’s Lawndale Art Center, preparing for a whirlwind of exhibitions. What I was most curious about that time (in advance of his upcoming solo at Conduit Gallery in Dallas) was whether he’d taken some time to stop and smell the proverbial roses.
Anyone who needs to be forced out of those “comfortable” preconceived notions of identity should see Genevieve Gaignard’s exhibition In Passing at the Houston Center for Photography, on view through Oct. 22.
The mucky brown waters had barely begun to recede when artist David McGee’s mother reminded him of the title of his upcoming exhibition at Houston’s Texas Gallery.
Depending on one’s frame of mind, the new exhibitions on view through July 16 at San Antonio’s Southwest School of Art—created by three very different artists in three divergent mediums—offer either hopeful or apocalyptic visions of landscapes.