James Russell is the former Fort Worth-based web editor for the Gay and Lesbian Review and a writer contributing to D Magazine, Fort Worth Weekly and Next City.
The story of abstraction can’t be fully told without Sean Scully, according to the Irish-American painter who also sees himself as a renegade in the abstract movement.
Adams, who splits her time between New York and Parma, Italy, has spent her career instilling passion in viewers with her colorful, abstract paintings, prints and gouaches, linking contemporary life and universal patterns.
Nineteenth-century cabinet cards and a forgotten Texas artist are the two new exhibitions at the re-opened Amon Carter Museum of American Art in Fort Worth.
Mark Dion, a conceptual artist, has spent the past four years tracing the four characters’ journeys through Texas for the exhibition The Perilous Texas Adventures of Mark Dion, which runs through May 17 at the Amon Carter Museum of American Art in Fort Worth.
When the Modern Art Museum of Fort Worth commissioned Red Grooms and ten other artists to contribute to the rodeo-themed 1976 exhibition The Great American Rodeo, Grooms spent a year observing rodeos, including the city’s annual Stock Show and Rodeo held at the neighboring Will Rogers Memorial Center.
Adams, who splits her time between New York and Parma, Italy, has spent her career instilling passion in viewers with her colorful, abstract paintings, prints and gouaches, linking contemporary life and universal patterns.