Documentary photographer Jan Banning’s current exhibition at the Museum of Fine Arts, Houston began with an assignment on the decentralization of Dutch aid in Mozambique.
There was only one other person in the exhibition space with me, but she was otherwise occupied. Talking in hushed tones on her phone, she scribbled away in her date book. Technically, we were in the lobby of an office building, so her behavior wasn’t out of order. Have public lobbies become the only private spaces skyscrapers have to offer? Judging by the amount of people I saw pacing behind the temporary gallery walls, I would have to say yes.
