A Theater of Objects, Ideas and Ideals: Glass Half Full Theatre in Austin
Human-induced climate change, denied by certain politicians and often ignored by many, is a threat to every species on the planet.
MICHAEL MCFADDEN
REVIEW: ‘Stonewall 50’ at the CAMH
In late June of 1969, police raided the Stonewall Inn, a prominent gay bar in the Greenwich Village neighborhood of New York City. This raid sparked a series of demonstrations by an outraged, oppressed community, often referred to as the Stonewall Riots or Stonewall Uprising, that are seen as the precursor to the Gay liberation movement and the continued fight for LGBT rights.
Disappearing into California Conceptualism at The Modern
In 1971, artist Chris Burden vanished for three days. No one knew where he had gone, and for those three days the artist questioned his own existence and what his disappearance meant.
Texas Studio: Adrian Esparza
“There are associations that come with the use of a sarape, especially now with recent political and economic border issues,” says Adrian Esparza, referring to the brightly colored, blanket-like shawls from Latin America that inform and compose much of his work as well as the constant issue of the Mexican-American border, in which Texas is often found at the center.
Have a Seat: Tom Loeser’s Playful Furniture at the Craft Center
Simple ideas, reimagined. This is central to Tom Loeser’s practice.
GRLZ + VEILS: Cheryl Donegan at the CAMH
Up-cycled dresses on mannequins, paintings of deconstructed tracksuits, and massive lengths of cloth made with consumer technology fill the upstairs of the Contemporary Arts Museum Houston.
REVIEW: Nicolas Moufarrege at the CAMH
The story of Nicolas Moufarrege is a sad one. Lost to the AIDS crisis in New York City at the age of 36, the artist had only been in practice for a decade and undoubtedly had much left to produce. Curated by Dean Daderko and on view at the Contemporary Arts Museum Houston through Feb. 17, 2019, Nicolas Moufarrege: Recognize My Sign is the first solo museum exhibition for Moufarrege.
REVIEW: New Cartographies at Asia Society Texas Center
Cartography is a fascinating practice.
REVIEW: ‘Walls Turned Sideways: Artists Confront the Justice System’ at the CAMH
Art can be radical. There’s nothing new about this statement because art has always been radical in some form or function.
You Didn’t Have to Be There, But It Helps: Stage Environment at CAMH
“It is not an acropolis we want there. It is not Culture on a corner. I think of the new museum building as a stage environment to house the multimedia in which artists of today are working.”
Artists in 3 Parts at the Louise Hopkins Underwood Center for the Arts
People who aren’t from Texas often hold misconceptions about the state.
Nick Vaughan and Jake Margolin: The Scene at Devin Borden Gallery
Stepping into The Scene (Houston: 1969 -1981) at Devin Borden Gallery, the space seemed small, tight.