Nancy Wozny is editor in chief at Arts and Culture Texas, a contributing editor at Dance Magazine and a frequent contributor to Pointe Magazine and Dance Teacher.
A shimmering stream of rice pours down on a monk during the entire 90 minutes of Songs of the Wanderers, which will be performed here in Houston when Cloud Gate Dance Theatre of Taiwan makes a Society for Performing Arts stop on April 5 at Jones Hall.
Writers, artists, literary translators, bookmakers and activist interpreters Jen Hofer and John Pluecker make up Antena, a language justice and language experimentation collaborative.
When I witnessed Samantha Lynch catapulting across the stage at Houston Ballet in Jiri Kylián’s ode to the power of the sea, Forgotten Land, I knew she was going places.
The UK-based multi-media movement troupe returns to Texas with shows at ARTS SA (April 9, San Antonio’s Carver Center), Texas Performing Arts (Austin, April 11 at Bass Concert Hall) and TITAS in Dallas (April 12-13 at Dallas City Performance Hall).
Kaitlin Hopkins is head of the Musical Theatre program at Texas State University, where her over 25 years of work on and off Broadway, and in regional theater, film, television, opera, and radio inform her work with Texas State's aspiring young actors.
Houston Ballet celebrated its leader's tenth year at the helm by performing three of his works in one evening, a perfect Stanton Welch wonderland and a great way to examine this choreographer's gifts to ballet.
In celebration of Shakespeare's 450th birthday, Houston Ballet has anchored their new season with three ballets based on Shakespeare's timeless tales, including the company premiere of John Neumeier's A Midsummer Night's Dream, Stanton Welch's world premiere of Romeo and Juliet and John Cranko's The Taming of the Shrew.
In doing some early research on the history of ballet in Texas, I emailed my favorite grad school ballet teacher, Shelly Berg, now a Professor in the Dance Division at Southern Methodist University.