Nancy Wozny is editor in chief at Arts and Culture Texas, a contributing editor at Dance Magazine and a frequent contributor to Pointe Magazine and Dance Teacher.
Stanton Welch framed his new Nutcracker as a coming-of-age story, with a young Clara at the center of his dazzling holiday ballet, now entering its second year.
“This is the future of art, where would you see something like this in Houston? Someone needs to write about this,” said Abby Koenig, looking straight at me, after a stunning and mesmerizing performance of Engelbert Humperdinck's 1893 opera Hansel and Gretel, presented by Rec Room Arts at the Rec Room.
Every year a cluster of dance films make the Houston Cinema Arts Festival line-up, Nov. 9-13. This year they run the gamut, where dance and dancers are the central focus (Rebels on Pointe and No Maps on my Taps/About Tap), to films where dance is used sparingly, in a more poetic realm (Pendular).
When Houston Ballet takes the stage next fall for the Houston premiere of Sir Kenneth MacMillan's Mayerling, Sept. 22-24 at the Hobby Center, it will surely be new for the audience, yet also be a continuation of a storied relationship between the company and the legendary British choreographer.