The Harry Ransom Center at the University of Texas at Austin has announced a major coup: It’s acquired the archive of renowned artist Edward Ruscha ...
Before they head to Lincoln Center in New York in January, the Rude Mechs delivered the drunken punch to the face that is Fixing King John, at the Off Center.
Leave it to Austin’s maverick troupe, the Rude Mechs, to tackle Shakespeare’s “problem plays.” Even the Bard’s esteemed canon contains a few duds, and in the new bi-annual series, Fixing Shakespeare, the Rude Mechs attempt to slice and dice these plays into more contemporary, and perhaps more palatable, shows.
Invariant Interval is a mesmerizing new installation at UT’s Visual Arts Center (VAC) that challenges viewers to observe three-dimensional art in a relativistic context that includes the invisible but ever-present dimension of time.
While the audience found their seats and engaged in casual pre-show conversation, an enormous decaying head with luminous eyes gazed at them from the stage like a contemporary Olmec.
Villagers gather scrap metal atop a crashed spacecraft in Northern Russia’s Altai Territory, while thousands of white butterflies swarm all around them. In a related image, five cows lay dead in a field.