Leave it to Austin’s maverick troupe, the Rude Mechs, to tackle Shakespeare’s “problem plays.” Even the Bard’s esteemed canon contains a few duds, and in the new bi-annual series, Fixing Shakespeare, the Rude Mechs attempt to slice and dice these plays into more contemporary, and perhaps more palatable, shows.
Invariant Interval is a mesmerizing new installation at UT’s Visual Arts Center (VAC) that challenges viewers to observe three-dimensional art in a relativistic context that includes the invisible but ever-present dimension of time.
While the audience found their seats and engaged in casual pre-show conversation, an enormous decaying head with luminous eyes gazed at them from the stage like a contemporary Olmec.
Villagers gather scrap metal atop a crashed spacecraft in Northern Russia’s Altai Territory, while thousands of white butterflies swarm all around them. In a related image, five cows lay dead in a field.
With 13 curators and about 70 artists, the TX 13 Group Survey Exhibition is a cacophony of sounds, images and styles that tries for the first time to jam all the artists selected in a statewide open call for the Texas Biennial into a single space — the Blue Star Contemporary Art Museum.
The Book of Mormon is the most over-hyped Broadway musical of the last decade. But no doubt you’ll still be laughing about it to your friends long after the touring musical leaves Texas.
When violinist William Fedkenheuer steps onto the stage this month with his colleagues in the Austin-based Miró Quartet for a series of six concerts at the Butler School of Music at UT-Austin (Sept. 6-8 & 27-29), he will achieve a distinction that few other professionals can claim. He will be one of the few living violinists who have performed all sixteen of Ludwig van Beethoven's string quartets for two violins, viola and cello as both a first and second violinist.
Forklift Dance Works founder Allison Orr, formerly fearful of heights, can now climb a power pole. Don't expect her to fix your electricity when it goes out, but she knows way more about energy than your average choreographer.