Hannah Munitz's face lit up when I asked her about the Israeli Opera’s production of Onegin, which opens The Dallas Opera’s 2016/17season, Oct. 28-Nov. 6.
Gabriel Dawe spent two weeks in August scaling the Amon Carter Museum of American Art’s atrium, suspending one thread at a time. The exhibition, Gabriel Dawe: Plexus no. 34, is on view through Sept. 2, 2017.
What is an art gallery? No, really: What is an art gallery?
What is its purpose? What should it be allowed to do? Is it a fluid, flexible space to be filled with art for purchase? Art for interaction? What if that interaction is a party where drinks are served and live music is played? What makes an art gallery different from an event space? Does art only belong in a gallery?
In Anna Bogatin’s second solo show, on view through July 30 at Holly Johnson Gallery in Dallas, twelve acrylic paintings executed in the last two years occupy the entry space.
As museums today compete for social media attention, Dallas Contemporary currently finds itself pulling ahead of the pack thanks in no small part to Paola Pivi’s Ma’am (on view through August 21).