Gabriel Dawe spent two weeks in August scaling the Amon Carter Museum of American Art’s atrium, suspending one thread at a time. The exhibition, Gabriel Dawe: Plexus no. 34, is on view through Sept. 2, 2017.
What is an art gallery? No, really: What is an art gallery?
What is its purpose? What should it be allowed to do? Is it a fluid, flexible space to be filled with art for purchase? Art for interaction? What if that interaction is a party where drinks are served and live music is played? What makes an art gallery different from an event space? Does art only belong in a gallery?
In Anna Bogatin’s second solo show, on view through July 30 at Holly Johnson Gallery in Dallas, twelve acrylic paintings executed in the last two years occupy the entry space.
As museums today compete for social media attention, Dallas Contemporary currently finds itself pulling ahead of the pack thanks in no small part to Paola Pivi’s Ma’am (on view through August 21).
In the spring of 1921, the recently established Dallas chapter of the Ku Klux Klan kidnapped Alex Johnson, a black Adolphus Hotel elevator operator. He was driven to an isolated location, whipped, had the initials KKK burned into his forehead with acid, and then forced to walk naked and bleeding into the Adolphus lobby.
Barry Whistler Gallery was a fixture in Deep Ellum for nearly 30 years so it may have come as a surprise when Whistler decided to move his gallery to the Design District during the first week of May.
In celebration of the American sculptor Joel Shapiro, the Nasher Sculpture Center, which holds six examples of his work in their permanent collection, has unveiled a new piece specifically designed for the central gallery on the ground floor.