Growing up, jhon r. stronks was never in one place for long. Born in Fresno, his childhood was spent globetrotting to accommodate his stepfather’s occupation as an airline pilot.
Entering the lobby at Houston Ballet's Center for Dance for Project REACH on balmy Saturday night felt like going to a club where all of the city's A-lister dance folks had gathered for something big and important.
When I saw that this year's Marfa Sounding focused on the great California-based legend and dance maker Anna Halprin, I knew that I had to make trek to Marfa for Memorial Day weekend.
Three years after the death of choreographer Bruce Wood, his Dallas dance company is thriving. That’s not something anyone could’ve assumed at the time, even the people now building on his considerable body of work so well.
When Jennifer Hart founded Performa/Dance in 2014 with Ballet Austin dancer Edward Carr, she wanted a platform not only to show her own work, but to feature work by other local artists, as well as innovative national choreographers.
Dallas dance-lovers are proud that a dance-centric presenter like TITAS Presents exists in their city—and they should be. Executive Director Charles Santos is famous for his eye for up-and-coming troupes, as well as showcasing international groups.
Texas is having an Alice boom with Ballet Austin performing Septime Weber’s Alice on May 12-14 at The Long Center and Texas Ballet Theater performing Stevenson’s Alice, May 19-21 at Bass Performance Hall in Fort Worth, and June 2-4 at Winspear Opera House in Dallas.
I’ve always had a pestering curiosity about Anna Sokolow. A great American choreographer who influenced the development of modern dance in America, Israel, and Mexico—to say nothing of the famous actors who credit her as a force in their training, including Faye Dunaway, Julie Harris, Eva-Marie Saint, Jean Stapleton, Eli Wallach, Patti LuPone, and Kevin Kline—Sokolow nevertheless remains at the periphery of the canon.