Texas Ballet companies conclude their seasons with vintage warhorses: Swan Lake, at Texas Ballet Theater, May 30-June 1, and Houston Ballet, June 5-15; and The Sleeping Beauty, at Ballet Austin, May 9-11.
Los Angeles filmmaker and performer Wu Tsang has started a year-long project, commissioned by DiverseWorks with the University of Houston Cynthia Woods Mitchell Center for the Arts and the Contemporary Arts Museum Houston.
A shimmering stream of rice pours down on a monk during the entire 90 minutes of Songs of the Wanderers, which will be performed here in Houston when Cloud Gate Dance Theatre of Taiwan makes a Society for Performing Arts stop on April 5 at Jones Hall.
When I witnessed Samantha Lynch catapulting across the stage at Houston Ballet in Jiri Kylián’s ode to the power of the sea, Forgotten Land, I knew she was going places.
The UK-based multi-media movement troupe returns to Texas with shows at ARTS SA (April 9, San Antonio’s Carver Center), Texas Performing Arts (Austin, April 11 at Bass Concert Hall) and TITAS in Dallas (April 12-13 at Dallas City Performance Hall).
A woman weaves on a loom while fifty amateur violinists and an accordionist surround her with music. The aftermath of a young man’s suicide unfolds on a large screen through social media.
Houston Ballet celebrated its leader's tenth year at the helm by performing three of his works in one evening, a perfect Stanton Welch wonderland and a great way to examine this choreographer's gifts to ballet.
In celebration of Shakespeare's 450th birthday, Houston Ballet has anchored their new season with three ballets based on Shakespeare's timeless tales, including the company premiere of John Neumeier's A Midsummer Night's Dream, Stanton Welch's world premiere of Romeo and Juliet and John Cranko's The Taming of the Shrew.