The Sleeping Beauty is one of the classical ballet’s most technically difficult yet visually dynamic works — a ballet by which ballet companies are judged.
Although we may take it for granted as a simple tool, the plate is also a small stage—an intimate setting on which universal routines of daily life take place.
Robert Simpson sums up what keeps him going: “I’m always excited about whatever is over the next hill,” says the Houston Chamber Choir’s founder and artistic director.
In a place that can feel very top-down, they are trying to build something from the ground up. Their first production, the world premiere of Lisa Omlie’s The Baby, runs March 10-19 at the MATCH.
The Evelyn Rubenstein JCC of Houston presents the 12th Houston Jewish Film Festival, with 27 films over 16 days, March 5-20, 2016, at various venues, including the Evelyn Rubenstein JCC, the MFAH, Holocaust Museum Houston, Sundance Cinemas and Congregation Beth Jacob in Galveston.
Statements: African American Art from the Museum’s Collection is the overly general and therefore utterly uninformative title of an excellent exhibition now ongoing at the MFAH through April 24, 2016.
Houston's Classical Theatre Company returns to Ibsen this winter with their production of A Doll's House, directed by Classical Theatre's artistic director John Johnson, through Feb. 21 at Chelsea Market location.
A + C editor in chief Nancy Wozny visited with Houston Ballet principal and Dallas native Sara Webb about Stevenson's beloved ballet and the challenges and joys of the role.
A + C writer Holly Walrath sat down with Executive Director and Chief Curator Xandra Eden and Associate Curator Rachel Cook to discuss the move, the new show and the future of the organization.