It’s no small thing to tackle the intricate world of Stephen Sondheim; with endless layers and meanings, his razor-sharp writing and complex composition have proven daunting to performers everywhere, with bigger budgets, bigger spaces and bigger casts than Main Street Theater.
Lately, much energy is devoted to the notion of innovation in the concert hall. Unfortunately, many of these efforts are underwhelming, but concerts by the Apollo Chamber Players are always a delight.
If you walk into the backyard of a poorly lit house and see Bastion Carboni, the director of Poison Apple Initiative, pacing around looking stressed and smoking, then you’re in the right place, Monstrosity Studios.
The Gershwins’ Porgy and Bess is a musical not to be missed. Currently in its first leg of a national tour, it visits the Winspear Opera House in Dallas ...
It’s no accident that The Contemporary Austin decided to commission two works from Marianne Vitale, a New York artist known for provocative sculptures constructed from wood and steel reclaimed from old barns, factories, and railroads.
