HGOco turns seven years old this year. A scrappy, energetic initiative dedicated to making an opera company relevant to the city it serves, it has taken opera out of the Big House downtown and planted it in unexpected places all over the city:
Kaitlin Hopkins is head of the Musical Theatre program at Texas State University, where her over 25 years of work on and off Broadway, and in regional theater, film, television, opera, and radio inform her work with Texas State's aspiring young actors.
If the play is titled Less Than Kind, it sets itself up for easy aim if the production doesn’t live up to theatrical standards. Luckily, the U.S. premiere of Sir Terence Rattigan’s smart comedy has no fears of embarrassment as produced at Theatre Three in Dallas.
It’s not every day that a Dallas theater produces a show bound (hopefully) for Broadway, although the Dallas Theater Center is ensuring it becomes increasingly more likely.
The Salvage Vanguard Theatre hosted a special double feature on March 1, with Trouble Puppet Theatre’s Crapstall Street Boys and Bootown's The Curio Show.
“Let me tell you a little story about August Wilson,” says Tre Garrett, Artistic Director of Fort Worth’s Jubilee Theatre, with a smile on his face I can hear through the phone.
Dallas struggles with its identity. If the three big cities of Texas were familial stereotypes, Dallas would be the middle child, stuck between its classy older sibling, Houston, and the cool, do-no-wrong youngest sibling, Austin.
It’s not quite right to use the term “hidden gem” to describe the Tobin Theatre Arts Collection, housed in gallery space at San Antonio’s McNay Art Museum—mostly because the collection is far from hidden.