The Salvage Vanguard Theatre hosted a special double feature on March 1, with Trouble Puppet Theatre’s Crapstall Street Boys and Bootown's The Curio Show.
“Let me tell you a little story about August Wilson,” says Tre Garrett, Artistic Director of Fort Worth’s Jubilee Theatre, with a smile on his face I can hear through the phone.
Dallas struggles with its identity. If the three big cities of Texas were familial stereotypes, Dallas would be the middle child, stuck between its classy older sibling, Houston, and the cool, do-no-wrong youngest sibling, Austin.
It’s not quite right to use the term “hidden gem” to describe the Tobin Theatre Arts Collection, housed in gallery space at San Antonio’s McNay Art Museum—mostly because the collection is far from hidden.
The ZACH Theatre's production of Sarah Ruhl's In The Next Room or the vibrator play is an exquisitely designed and cleanly executed investigation into sexuality in the dawn of automation.
Houston actor Adam Gibbs has proved to be a standout on whatever stage he finds himself, which right now, is at Classical Theatre Company (CTC), in Christopher Marlowe's Dr. Faustus, running through Feb. 17 at The Barn.
The Pico-Union barrio in Los Angeles may seem a far cry from Sophocles’ Ancient Greece, but in Luis Alfaro’s Oedipus el Rey, the classic tragedy plays out on the streets.
I recommend taking a seat at one of the tables situated in front of the audience. There is a bucket with endless mimosas and free flowing breakfast tacos.
