It’s no small thing to tackle the intricate world of Stephen Sondheim; with endless layers and meanings, his razor-sharp writing and complex composition have proven daunting to performers everywhere, with bigger budgets, bigger spaces and bigger casts than Main Street Theater.
Every year, I resist the list, and then cave with some kind of listicle of fave performances. Here are some moments that stood out for me on Houston's dance and theater stages. Oh, and one film performance, because I couldn't resist.
The sheer amount of theater in Dallas can be overwhelming. To make this list, I found myself re-reading reviews and poring through notes about the hundreds of shows performed in 2013 alone.
If you walk into the backyard of a poorly lit house and see Bastion Carboni, the director of Poison Apple Initiative, pacing around looking stressed and smoking, then you’re in the right place, Monstrosity Studios.
The Gershwins’ Porgy and Bess is a musical not to be missed. Currently in its first leg of a national tour, it visits the Winspear Opera House in Dallas ...
it wasn’t until the cold night air hit me as I left the theater that I realized director Jason Nodler had just given me the theatrical equivalent of a flu shot.
David Mamet writes great debates. His characters navigate the twists and turns of a well-formed argument, deflating weaker points, inflating new ideas, poking holes in meaning, until finally the play ends, at which point the audience is left defeated.