If you walk into the backyard of a poorly lit house and see Bastion Carboni, the director of Poison Apple Initiative, pacing around looking stressed and smoking, then you’re in the right place, Monstrosity Studios.
The Gershwins’ Porgy and Bess is a musical not to be missed. Currently in its first leg of a national tour, it visits the Winspear Opera House in Dallas ...
it wasn’t until the cold night air hit me as I left the theater that I realized director Jason Nodler had just given me the theatrical equivalent of a flu shot.
David Mamet writes great debates. His characters navigate the twists and turns of a well-formed argument, deflating weaker points, inflating new ideas, poking holes in meaning, until finally the play ends, at which point the audience is left defeated.
The holidays are no excuse to slow down your art-going, especially since this season seems to have a bounty of new productions, along with the old standards.
Before they head to Lincoln Center in New York in January, the Rude Mechs delivered the drunken punch to the face that is Fixing King John, at the Off Center.
Sometimes when a piece of theater challenges me, I look for answers in the play’s title. So soon after seeing the Mildred’s Umbrella regional premiere of Carnival Round the Central Figure, I sought meaning from carnivals.