Visual Art
Pixel Forest and Worry Will Vanish: Pipilotti Rist at MFAH
Last summer, the Museum of Fine Arts, Houston presented two installations and a few somewhat overlooked paintings by Yayoi Kusama.
Texas Studio: Jennifer Ling Datchuk
Eyebrow-plucking as critique of conventional gender roles; wigs that mimic authenticity but question identity; porcelain mugs in service of social awareness: These are just a few of the recent artworks by Jennifer Ling Datchuk that provoke important, if not awkward, conversations.
Shaping the Public Realm: A Look At Austin’s State of Public Art
Ai Weiwei’s Forever Bicycles lit up Austin social media feeds days before the dizzying sculpture had its official June 3rd opening.
Over the Borderline: Exhibitions at Artpace Address Contemporary Divisions
It could be argued that art is limitless. But is it borderless? This summer, Artpace embraces this question with two solo exhibitions of work by Sabine Senft and Doerte Weber, artists who are addressing global issues of migration and geopolitical borders.
Collective Art: The Propeller Group at Blaffer Art Museum
There’s something deceptive about the exhibition on view at the University of Houston’s Blaffer Art Museum.
Simulate the Revolution: Digital Projections Enhance MFAH’s Mexican Modernism Survey
Mexican modern art is having a moment in Texas museums.
Parallel Lines: Uniting Jim Crow-Era Works by Black, White Artists at Houston Public Library
Houston audiences will get a rare glimpse into the Bayou City’s pre-boom, Jim Crow-era art scene when the exhibition Planned, Organized and Established: Houston Artist Cooperatives presents paintings and ephemera from two 1930s collectives—one white, one black.
Roni Horn: Nasher Sculpture Center
For the first time at Dallas’ iconic Nasher Sculpture Center, curators have allowed for a physical alteration of the building: removing two rows of the site-specific oculi in the ceiling of the Renzo Piano structure.
Unpeopled Landscapes: Esteban Delgado, Tom Turner, and Victor Pérez-Rul at Southwest School of Art
Depending on one’s frame of mind, the new exhibitions on view through July 16 at San Antonio’s Southwest School of Art—created by three very different artists in three divergent mediums—offer either hopeful or apocalyptic visions of landscapes.
Sappers and Miners: Kelli Vance at Cris Worley
The women in Sappers and Miners, Kelli Vance’s new show of paintings on view through June 17 at Chris Worley Fine Arts, are preparing for a kind of war. Vance depicts her young soldiers in various modes of spiritual training.
In the Garden: Zimbabwean Sculpture at the Dallas Arboretum
Placed strategically throughout the lushly-landscaped grounds of the Dallas Arboretum and Botanical Garden is a selection of sculptures of African women, birds, safari wildlife and abstracted forms.