As a timely acknowledgment of how lively things are in the Dallas art scene, Parisian gallerist Frank Elbaz opened a location in the design district across the street from the sizzling Dallas Contemporary.
When soft twilight yields to clear night, the Turrell Skyspace at Rice University is illuminated with a continuous diffusion of colors that ebb and flow around the central opening to the darkening sky.
Chris Byrne and his co-founder, John Sughrue didn’t expect the Dallas Art Fair to grow like it has when they began the annual event nine years ago with 35 participants.
One of the funniest episodes of the HBO series Curb Your Enthusiasm involves Larry David, aiming to score points with his love interest’s flamboyantly effeminate son Greg, buying the seven-year-old a sewing machine to the dismay of Greg’s mother, who hasn’t yet come to terms with her son’s likely sexuality.
Artists—Americans, in some cases, expatriates in others—played key behind-the-scenes roles in helping to decide which European paintings and sculpture would comprise what became some of the great public collections in the United States.
The captivating exhibition Of Country and Culture: The Lam Collection of Contemporary Australian Aboriginal Art, on view through May 14 at the San Antonio Museum of Art, kicks off with a notice to visitors that’s as startling as it is salutary.
Fusebox, Austin’s contemporary, cross-disciplinary visual and performing arts festival, and all round benevolent force in the struggle to keep Austin weird, consolidated its offerings in 2016, going from a 10 or 12 day schedule to a five-day festival lineup.
Richard Serra’s work in print-making may be unknown to the casual art-goer, the artist’s name associated instead with his massive, imposing sculptural work in steel.