Little monsters look at us from ink, mold, paint, and collage. These monsters look familiar. Not just as historical markers to marginalized existences, which they are, but as real, flesh and blood women.
With two room-size installations and a selection of recent sculptures and reliefs, Matthew Ronay’s work ranges across botany and biology, anatomy and bodily systems, performance and sculpture, natural phenomena and psychology.
In the current round of exhibitions at Project Row Houses (through June 19), there is an uneasy relationship between the visual material and the political work.
You can expect diversity in the range of art media produced in Texas. Residents often experience works grouped into visual art categories, such as painting, sculpture, drawing, photography, video, performance, and installations.
A long excerpt of a diary is pinned to the wall in the Asia Society Texas Center's current exhibition,We Chat: A Dialogue in Contemporary Chinese Art, on view through July 3.
“Don’t look at that. That’s not part of the tour,” is a phrase used by absolutely no museum docent ever, until Tymberly, the new Menil Collection docent, had me in her guiding clutches.
