Julia Barbosa Landois and I sit under the marginally-less sweltering awning of a Houston coffee shop on one of the first truly furnace-like days of the year, discussing her fears.
Lillian Warren thinks certain events in life are overemphasized, in particular, “big goals and career choices,” the kind of striving that defines so many American lives.
“I was like a waiter at a wedding,” Michael Golden laughs, recounting the process of creating some seventy new collages to be exhibited at the Galveston Art Center.
In her description of her artist/partner, Megan Harrison says Jimmy James Canales is “kinda like a cat. He brings in a dead bird from the yard, and I’m like ‘I can do something with that.’”
