Houston’s ROCO chamber orchestra has introduced so many new works, and featured so many composers and performers from diverse backgrounds, that its founder sees no point in reciting the numbers.
ROCO is everywhere. In its 18th season, this industry-changing chamber orchestra from Houston has reached well beyond the walls of the traditional concert space, laying down a vibrant and diverse soundtrack for an entire city.
A historic ice storm. The four seasons. Industrial sites colliding with the natural world. A farmer’s life and its links to the land. A glacier that melted away.
Don’t hold your breath waiting for Houston’s River Oaks Chamber Orchestra (ROCO) to anoint a conductor as its music director. Being player-driven is in ROCO’s DNA.
Alecia Lawyer, the River Oaks Chamber Orchestra’s artistic director, introduced the idea discreetly last fall: She and two other musicians devoted a program on the group’s Unchambered series entirely to works by female composers.
The numbers are in: 76 world premieres (33 for the full chamber orchestra and 43 for its flexible chamber ensembles), 36 composers commissioned—these are astounding numbers from the Houston-based River Oaks Chamber Orchestra (ROCO), now in its perpetually forward-looking 13th season.
The conductor nearly chickened out. Planning the concert that will open the River Oaks Chamber Orchestra’s 2017-18 season, Vladimir Yampolsky suggested a rarity: the Symphony No. 2 by Kurt Weill of Threepenny Opera fame. Then he wavered.
The River Oaks Chamber Orchestra isn’t planning a Fourth of July concert, but maybe it should. The tradition-busting group has declared its independence -- from the classical hit parade. Scan the group’s programs for 2016-17, and you’ll see nothing that rank-and-file concertgoers would find familiar.