It should surprise no one that in Houston, the fourth largest city in the country, the art of opera is thriving on the Wortham Theater Center stage downtown as well as in urban breweries and suburban performing arts spaces.
The sign outside the Northwest Houston church where the Monarch Chamber Players opened their sixth season read, “We bring the concert hall to your neighborhood.”
A conversation with Mario Aschauer, Founder and Artistic Director of Harmonia Stellarum Houston (HSH), often involves plunging down rabbit holes and winding through meandering paths before the subject emerges with newfound depth and clarity.
Handel’s Theodora was the least-performed oratorio during the composer’s lifetime, yet he considered it one of his most important and finest creations.
Swimming pools, tennis courts, a bridge, an arch, her daughter’s toy blocks are all recurring images in Iranian-born artist Farima Faloodi’s paintings and installations.
“I was thinking about young Native artists and what would be inspirational and important for them as a road map,” said Wendy Red Star, curator of Native America: In Translation.