In one more step towards the antiseptic future envisioned largely by sci-fi movies- a future without dust, disease, age or decay-the very language we invent for our technological revolution has become disembodied and etherealized.
Cast your brain on the ocean of pop culture references for “perpetual worker” and you may come up with workaholic TV dads, the Energizer Bunny, or even Sisyphus, doomed to an eternity of useless boulder-pushing.
The 2013 Hunting Art Prize winner describes the entire universe of a body or an object with subtle tones and pencil marks on translucent Mylar—a surface so delicate that one swipe of his hand could smudge it irreparably. In this way it is reminiscent of Buddhist sand mandalas, an effort of time and “intense study,” as the artist puts it.
Julia Barbosa Landois and I sit under the marginally-less sweltering awning of a Houston coffee shop on one of the first truly furnace-like days of the year, discussing her fears.
Lillian Warren thinks certain events in life are overemphasized, in particular, “big goals and career choices,” the kind of striving that defines so many American lives.