As a critic, I try to stay open to every theatrical form, genre and story to lay aside my personal preferences and tastes so that they don’t prejudice my views of any specific play and production.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year
Shakespeare, politics, glam rock: these are not terms we often put together, if ever, yet this month, Austin’s Hidden Room theater company plans to merge the three into a rocking trio for a production of the Bard’s glorious history play Henry IV, through Oct. 1 at York Rite Masonic Hall.
“What the heck is a Rec Room?” was the question I set out to answer almost a year ago when I interviewed the performance art space co-owners and founders, Matt Hune and Stephanie Wittels Wachs
Houston’s Horse Head Theatre company has a reputation for staging intriguing and occasional avant-garde contemporary plays in nontraditional and even bizarre venues, from the back porch of a bar to a geodesic event dome on the banks of Buffalo Bayou.
With a quick glance at the synopsis, playwright Rebecca Gilman’s Luna Gale, now at Stages Repertory Theatre through May 28, would seem to possess all the serious markings of an issues play.
Long before Facebook and Twitter, neighbors exchanged information about the real lives of people making up their communities by gossiping and conversing in front yards and stoops.
What do we mean when we talk about Latina/o theater in Texas? This was the question I kept pondering at the beginning of yet another one of the wandering/mapping jaunts I occasionally take when I find myself yearning to exploring more Texas theater.