Though one of Texas’ biggest multidisciplinary arts events, Austin’s Fusebox Festival, moved from an annual to biennial schedule in 2024, that doesn’t mean the Fusebox organization took a year off to relax.
When the English National Ballet first commissioned international superstar choreographer Annabelle Lopez Ochoa to create the ballet that would become Broken Wings, the original concept was to create a dance about “a woman from literature or history that was damned and doomed.”
Whether used as a compliment, insult, meme, or pseudo psychological term to explain a politician’s antics, the phrase “theater kid,” (or “theatre kid” for the British, Canadian, and pretentious) has become something of a catch-all description for anyone enthusiastic about the performing arts or who holds a “pick me” mentality of life.
From a self-portrait worth $55 million to hand-painted shoes on Etsy, from egg cups to a biographical ballet and lookalike festivals across the globe, very few artists have ever inspired and driven the world’s imagination like Frida Kahlo.
Derek Charles Livingston took his place as Stages artistic director a little over a year ago, but he lost little time immersing himself in Houston life and its theater community.
The clues lay in the lineup. Sitting down for a talk with Rich Levy and Krupa Parikh, executive and deputy directors of Inprint, about their 2025-2026 Margarett Root Brown Reading Series
“We can’t build sets in here. We have to build a real thing,” says Azizi of what he approximates is a 20 feet by 70 feet space, with half of that reserved for the audience.
As we celebrate season announcement season at Arts and Culture, it’s time once again for this resident theater cartographer to unroll her maps and season schedule to chart the ebb and flow of big Broadway musicals as they tour the Lone Star State.
Everyone loves a good first, from races to teams to a step on the moon, but when it comes to theater, being the first to offer a brand new work is not without risks.