If conversation can truly rise to an art form, Rice University’s Moody Center for the Arts has proven a most creative ground for such an idea-exchanging medium.
Even once the show goes on, the director’s work is still not done. This has become especially true for the Tony winning director of Hadestown, Rachel Chavkin.
Now the world will also view O’Keeffe in a different light and see a trove of her recently discovered photographic art in the MFAH exhibition Georgia O’Keeffe, Photographer, running through Jan. 22.
If 2020 into 2021 was the ultimate annus horribilis, the year really became the worst of times for that most ephemeral and impermanent of arts, live performance.
We’re still holding our breath, knocking on a forest full of wood and sacrificing chicken-shaped tofu to Dionysius, but it looks like in-person, inside-an-actual-theater, theater will finally take the stage this fall.
Texans love Impressionism in all its nationalities and schools, and Texas museums love bringing us Impressionist exhibitions in a myriad of flavors and themes.
“These pitiful souls being tossed to and fro in the waves among you, their stories are mine as well,” decrees the magician Prospera in the Open Dance Project’s All the Devils are Here: A Tempest in the Galapagos.
The pandemic may have forced the cancellation of this year’s Fusebox Festival, one of the nation’s largest annual interdisciplinary performing arts festivals, but the Austin organization continues to present and nurture artists.