Of all the best-laid plans of mice and women that went awry in 2020, one I regret missing was a conversation with Stages artistic director Kenn McLaughlin.
For those Texans seeking art refuge this weary winter, the Kimbell Art Museum has a queen’s knees of an exhibition to transport us back 3000 years into the world of Queen Nefertari’s Egypt (now through March 14).
recently-unveiled Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston, and a way of contemplating the Kinder’s impact on the landscape of the museum campus, the city of Houston and even the international art world.
Radical reinvention: That’s what Meg Booth, chief executive officer for Society for the Performing Arts, sees in this time when artists and audiences must stay separate to stay safe.
The new traveling exhibition alighting at the Art Museum of South Texas, Across the Atlantic: American Impressionism Through the French Lens ( through Jan. 3, 2021) offers a new and new world perspective on Impressionism.
Artists grappling with the political has been the norm for thousands of years, but when art and social-political questioning merge at an interdisciplinary performance festival like Austin’s Fusebox Festival 2020 (April 15-19), the results can sometimes expand artistic boundaries.
Somewhere near the end of the first act of Stages’ sweet and nostalgic production of the classic musical The Fantasticks when a happy ending tableau had arrived but an entire second act still remained to follow, I couldn’t stop thinking of that likely-apocryphal story about the cosmologist confronting a turtle infinity.