Houston-based conceptual sculptor Dario Robleto will be the next artist to juxtapose his own works in dialogue with selections from the Menil Collection
Irony has been the standard currency of avant-garde art for so long now—50 years or even a century depending on how one looks at it—that it is simply grammatical.
iven that the art world is a breeding ground of extraordinary ego and smothering politeness, it is not surprising that most “arts leaders” are people sufficiently advanced in their careers to have the institutional backing to get away with being a jackass.
Executive Director Louis Grachos flexes his vision for The Contemporary Austin with the high-profile sculpture exhibition A Secret Affair: Selections from the Furhman Family Collection.
In the latest example of the Nasher Sculpture Center’s foray into contemporary art, Mark Grotjahn Sculpture is the first museum exhibition to focus on a body of work in this discipline from an artist primarily known as an abstract painter.
