The pandemic may have forced the cancellation of this year’s Fusebox Festival, one of the nation’s largest annual interdisciplinary performing arts festivals, but the Austin organization continues to present and nurture artists.
Jennifer Steinkamp’s new digital work Eon, recently unveiled as part of the University of Texas Landmarks Collection and commissioned for Welch Hall, the university’s recently renovated science building, invokes these complex ideas not in the form of ephemeral petals, but in massive LED screens.
Emotion, individualism, unfettered expression, fruitful rebellion, and spontaneous movement are not often the makings of everyday life. But sometimes the storm and stress of life bring such things into being.
Artists grappling with the political has been the norm for thousands of years, but when art and social-political questioning merge at an interdisciplinary performance festival like Austin’s Fusebox Festival 2020 (April 15-19), the results can sometimes expand artistic boundaries.
Houston-based artists Stephan Hillerbrand and Mary Magsamen, known collectively as Hillerbrand+Magsamen, address topics of family, communication, and consumerism, most recently through their ongoing body of artworks called The Devices Project.
I sat down with Director Olivia Chacón to discuss Austin’s burgeoning flamenco scene, the growth of the studio and the company’s next theatrical production.