An exhibition on the development of modern art in Spain from 1915-1957 recently landed at the Meadows Museum on the campus of Southern Methodist University.
Dallas has a complicated relationship with its river. At various points in a century and a half of more or less official existence we’ve tried to transform the Trinity into an inland port, we’ve pretended it didn’t exist, and we’ve literally moved it, and now people and organizations, both public and private, are attempting to reclaim it.
Six paintings by as many artists comprise Abstract Texas: Midcentury Modern Painting, which remains on view through Oct. 7, 2017 at the Amon Carter Museum of American Art.
Productions of the A Christmas Carol have decorated the stages of local theaters for decades. Dallas is no exception, with the Dallas Theater Center now presenting their 38th production of the tale through Dec. 28 at the Wyly Theatre.
Monet: The Early Years at the Kimbell Art Museum kicks off with a startling contrast between Claude Monet’s earliest exhibited work—View Near Rouelles, a crisp, placid, highly finished 1858 landscape—and Farmyard in Normandy (1863), which is striking for what exhibition curator George T. M. Shackelford notes is “a surface that, in its final form, appears to be still in progress.”