At first glance, Houston Ballet's 2017/2018 Season can look like a crash course in ballet, with something for everyone, including ballet connoisseurs, contemporary enthusiasts and those completely new to the art form.
Fusebox, Austin’s contemporary, cross-disciplinary visual and performing arts festival, and all round benevolent force in the struggle to keep Austin weird, consolidated its offerings in 2016, going from a 10 or 12 day schedule to a five-day festival lineup.
When a writer pitched a story about an actor leaving Texas I immediately said, “No thanks, I need to focus on those staying.” Although, now I can't help wondering what would have been in that exit interview.
“We are putting in a dance floor,” Alison Weaver told me during a hard hat tour of the Moody Center for the Arts, which opens this month on the campus of Rice University.
Stanton Welch prefers strong heroines. So it's no wonder that his Cinderella knows her own mind. Houston Ballet fans will find that out for themselves when the company performs Welch's beloved story ballet Cinderella, March 2-12, 2017.
When I saw that Dance Source Houston cooked up a follow-up project for their AIR residency artists I had to go, mostly because it's just such a smart move.
Forty years in the business – that fact has quietly crept up on Dallas Black Dance Theatre founder Ann Williams. “You don’t see what you’ve accomplished because every day you’re trying to make it happen,” says Williams, who has spent half of her life making it happen at the longest-running dance company in North Texas.
The word is out: renowned American choreographer Trey McIntyre calls Texas his home once again. McIntyre cut his teeth as a dancer and a choreographer at Houston Ballet.
When Vinod Hopson of FotoFest suggested that I check out the work of Tad Beck, I figured dance was involved. And indeed, Beck's work with renowned downtown dancemakers is compelling on several levels, from the detailed process to the end image, which involves re-photography and some actual dancing.