When we meet for coffee, Harold Mendez has just returned to Houston from the Rauschenberg Residency at Captiva Island (FL) via Chicago, where he opened a solo exhibition at Patron Gallery.
A hand, a conch shell, a pair of lips, a valentine heart: Rendered in pastels and lined up along the gallery wall, they possess an eerie mix of starkness and sensuality.
Carmina Burana always packs a wallop. This time, Carl Orff’s paean to frolic and fate delivered a double whammy: Not only did the San Antonio Symphony and Chorus lay into Orff’s lusty themes and booming sonorities with gusto, but the live-wire acoustics in the orchestra's home turned all that into a visceral experience.
Convention is not a part of Allison Orr’s vocabulary. The Forklift Danceworks artistic director has carved out a particular niche in the site-specific performance world of Texas—one that draws attention to the people and systems that keep our communities ticking, often without thanks or notice. This is Orr’s specialty: bringing the invisible to the forefront.
“Do you know the stereotype that any male who’s approaching his mid-30s becomes really interested in World War I or World War II?,” Shayne Murphy laughs sheepishly, including himself in this group.
Hannah Munitz's face lit up when I asked her about the Israeli Opera’s production of Onegin, which opens The Dallas Opera’s 2016/17season, Oct. 28-Nov. 6.
Two gallerists have set up shop over the last year on the Houston scene: Cindy Lisica of Cindy Lisica Gallery, and Sarah Sudhoff of Capsule Gallery Cindy Lisica Gallery joined the 4411 Montrose cluster alongside Anya Tish Gallery, Barbara Davis Gallery, David Shelton Gallery, and UNIX Gallery, while Capsule Gallery is located in the Isabella Court complex in Midtown, with neighbors Inman Gallery, Kinzleman Art Consulting, Samara Gallery, Art Palace and Devin Borden Gallery.
Gabriel Dawe spent two weeks in August scaling the Amon Carter Museum of American Art’s atrium, suspending one thread at a time. The exhibition, Gabriel Dawe: Plexus no. 34, is on view through Sept. 2, 2017.
Laura A. L. Wellen interviews Suzanne Weaver, newly appointed Brown Foundation Curator of Modern and Contemporary Art at San Antonio Museum of Art, about the distinct offerings of the museum collection, her Texas roots, and raising the bar for collaboration and creativity.