“I say this with absolute ultimate pride: I introduced Christine Goerke to Dubsmash at Mai’s in Houston. It was one of my proudest moments as a friend and as a colleague,” declares Jamie Barton
In the liner notes for an upcoming CD on GRM, Paris, composer Hans Tutschku - Professor of Music at Harvard University - defines the listening ritual as, “listening […] without doing anything else – just diving into the sound world and letting all inner images and imaginations flow.”
The Tony Award-winning musical Memphis tells a rollicking story of the dawn of rock ’n’ roll in the segregated south that rejects black and white simplicity.
When the Rolston String Quartet first flashed onto Chamber Music Houston’s radar screen, the young ensemble was quartet-in-residence at Rice University’s Shepherd School of Music.
“Tragedy is the cure for anxiety,” says Stephanie Wittels Wachs of the unwanted and much too costly life and death lesson grief taught her after her comedy prodigy brother Harris Wittels died of a heroin overdose in 2015.
History may be written by the victors, as the saying goes, but fundamentally history is written by the writers and the landscape of history etched into images by the cartographers, though they are perhaps paid by those victors.
Every year at Easter time, Houston transforms into a hub of international dance, thanks to the entrepreneurial spirit and artistic vision of Nancy Henderek, founder of the Dance Salad Festival.
I Think We Meet Here, on view through Feb. 23 at UT Austin Visual Arts Center, is an exhibition of video-based work by Shana Hoehn, Yue Nakayama, and Felipe Steinberg, three artists from the Core Residency Program at the Glassell School of Art, Museum of Fine Arts Houston